Geometry Delay

Input Gain sets the level entering the delay. The center position is unity gain, with attenuation to the left and boost to the right.

Feedback sets the amount returned independently through every tap. Higher values create more repeats without mixing the taps into one shared feedback delay.

Reflections sets the audible level of the individual room taps. In Relay it also shifts the balance toward the extra returns; in Disperse it increases diffusion. Feedback controls how long the repeats continue.

Damping darkens and slightly attenuates the repeated signal inside each feedback path. Higher values remove more high-frequency energy on successive repeats.

Width scales the stereo spread created by the tap positions.

Duck reduces the wet signal while new input is present, then lets the echoes rise as the input envelope falls.

Dry/Wet crossfades between the original input and the complete multi-tap output.

Output Gain sets the final plug-in level. The center position is unity gain, with attenuation or boost available around it.

Direct is the original multi-tap delay. Each surface returns a distinct echo and feeds back into its own path. Use it when you want clear attacks and the most direct relationship between node position, surface distance, and repeat timing.

Relay adds two extra returns per tap: one visits another surface before returning to the node, and the longer route visits two more surfaces. Their timing follows the room geometry, and the final surface sets their stereo position. This creates a more intricate rhythm around the main echoes.

Relay + Reflections makes the extra returns stronger and reduces the main returns as Reflections increases. The additional routes feed only the output, not a shared feedback loop, so Feedback still controls the independent tap repeats.

Disperse adds short all-pass diffusion stages inside each tap's feedback path. They spread the energy of a repeat over time, softening attacks and building a denser, more reverb-like tail as sound recirculates. Room geometry sets the diffusion timing; Reflections increases its spread and strength.

Room Size, the room shape, and node position still shape timing in every mode. Orbit continues to move those timings, while Damping, Width, Duck, and Dry/Wet retain their roles. To compare the algorithms, start with a still node and short notes, then turn up Reflections and add a small orbit.

Algorithm is a global setting. File presets and DAW sessions save the selection, and it can be automated in the host. Older presets without an algorithm setting open in Direct.

Room Size sets the overall time scale of the room from short, compact echoes to delays as long as three seconds.

Walls morphs continuously from a three-sided room through four, five, and six sides. Intermediate values fade the incoming wall into the delay rather than switching it abruptly.

Height sets the distance between floor and ceiling. It directly changes the floor and ceiling tap times and the space available for vertical node movement.

Wall Angle leans all walls toward or away from the room center. This changes wall distances and incidence angles, which alters both tap timing and level.

Ceiling Slope raises one side of the ceiling while lowering the other. It changes the ceiling distance across the room and therefore changes the ceiling tap as the node moves horizontally.

The pink outline shows the current control geometry. It makes several related delay times quick to shape rather than reproducing real room acoustics. Relay uses selected surface-to-surface routes, not a full acoustic simulation.

Position X moves the node left and right and changes both tap timing and stereo relationships.

Position Y moves the node between floor and ceiling, changing the vertical tap distances.

Position Z moves the node through room depth, shortening the taps in one direction while lengthening those behind it.

The node remains constrained inside the current room even when geometry or orbital movement would otherwise place it beyond a surface.

Radius sets orbit size with extra resolution near zero for fine delay-time modulation.

Rate sets free-running speed and direction. The center position stops motion; values on opposite sides reverse the orbit.

Sync changes Rate to host-clock divisions. Synced values describe one complete orbit, and transport from the project start restarts the phase.

Ellipse changes the relationship between the two orbit radii, from paths stretched on one axis through a circle to paths stretched on the other.

Rotate X / Y / Z rotate the orbit around the three room axes. Each control runs from -180 degrees through 0 at center to +180 degrees.

The full orbit guide remains visible even where it crosses a wall. Only the node is constrained, so it follows the intended path as closely as the room allows.

1-4 select a slot for editing. Any stored-parameter change automatically overwrites the active slot.

Copy / Paste copies or pastes the complete stored state. Pasting during a transition takes control immediately instead of waiting for the previous slew to finish.

Random rewrites the active slot with a new room, delay, position, and orbit state, then moves toward it using Slew.

CLK OFF stops automatic stepping. Manual slot selection and randomization still use Slew.

CLK INT advances through enabled slots from the internal Rate in Hz.

CLK HOST advances from the DAW transport and changes Rate to musical divisions.

Slew sets transition time with the clock off. In clocked modes it becomes a percentage of the current step.

Holding a parameter while sequencing writes only that parameter into every incoming slot. Its control stays under the gesture while all other stored values continue their own transitions.

Preset arrows step through available presets and wrap between the first and last entries.

Preset name opens the preset browser.

Name generates a preset name.

Save writes the complete state. Saving without first generating a name creates one automatically.

Factory / User / Starting Points / Favorites filter the preset browser.

Versioned Save writes a numbered copy when the current preset has changed.

Folder opens the preset directory for external renaming or deletion.

Refresh reloads externally renamed or deleted preset files.